How high do they go? I dont know, but in my research, I found several saying up to 5kHz, and even higher for that bass note. 2nd order is 120Hz, 3rd order is 180Hz, 4th order is 240Hz, 5th order is 300Hz, and so on. Along with the 60Hz, something called overtones or harmonics are also created. Ill use 60Hz as the fundamental frequency for the explanation which is definitely in the range for a kick drum or bass (guitar or upright). 2) Pertaining to the soundstage: Phantom imaging that reproduces within the stereo stage the original lateral positions of the performers.
#Bi musicality definition driver#
Stereophile definition - coherent 1) Pertaining to a multi-way loudspeaker's sound: seamless from top to bottom showing no audible evidence of a crossover or of different driver colorations in different frequency ranges.
Since this has come up again, and you are asking questions pertaining to frequency, then hopefully this will help you to understand. Mtrot, when I initially brought up the coherence issue, I should have offered an explanation as well, sorry I did not. I would avoid gold plated wire though as, in my experience, it tends to loose detail in the lower registers and trades both articulation and slam for weight. Simply connect bare wire to both the amp and speaker terminals for the purist connection. I highly recommend NOT using any connectors. Get some heavy gauge mil-spec silver plated copper and try them on your bass drivers. I made some power cords using the Mundorf wire from Taiwan (is it real Mundorf? Don't know, don't care-it sounds very nice and is inexpensive)and they easily compete with higher end manufactured power cords (Wolff, Sunny Cables, TG Audio, BMI). If you want to experiment on the cheap, try some wire from Ebay.
#Bi musicality definition drivers#
Electraglide silver ribbon speaker cable (Goertz AG-2 I think) really took my 4 12" Peerless 1259 bass drivers to the next level in articulation, clearly placing bass instruments in space, with great clarity (Stanley Clarke was nearly in the room with me), and bass attack could be quite startling. For what it's worth, I found silver ribbon/foil wire to have the best bass definition and slam. Some have argued against it.using wire as a tone control but who cares if it sounds good? You can certainly get mismatches which will sound odd if not outright bad but only experimentation will tell. I've been bi-wiring and bi-amping for years using different cables/wires and find it a very useful tool for achieving the sound I want.
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